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It was kind of cool because if there were any negative comments about it, I'd say, "Listen, I was in size 44 pink Louboutins in Paris Hilton's closet, give me a break! I heard that as part of your cast bonding and prep work, Sofia had you guys "break into" someone's house? We get in a van, we headed up in the hills to a house and we're all sneaky and whatnot, jumping the fence and I think it was Emma [Watson] who opened the door to the gate -- I don't know why we didn't think to check -- and we were being sneaky. Katie had a list of the exact stuff and there were suitcases set aside for us that we jacked. When you're in your comfort zone, you work your best. She works with you, she wants to hear your ideas, she wants to collaborate. Also, one of the scenes we thought was a rehearsal was when we're all partying in Paris Hilton's nightclub room and Taissa [Farmiga] drops her glass and we all say, "Party foul! That just goes to show that Sofia is a very sneaky director. And on the topic of Paris Hilton's nightclub room, how was it filming in her house? Walking in there, it's like, "Okay, this is interesting. She has a very good sense of humor about herself and those pillows were a gift and she laughed at them and thought they'd look awesome in the house. What was it like working and hanging out with the rest of the cast?
"You and Sofia did a good job developing your character Marc. Finally we found a window that was open, started crawling in, and Claire [Julien] fell and at that point we started laughing and got loud. I think that's when we all realized that these kids were horsing around and having fun -- they weren't trying to pull off the Thomas Crown Affair. But she does it in a strange way because a lot of directors, when they run the set, are loud and intimidating. We improvise and she lets the scenes play out and thrive in the moment.
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